l a i l a

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<channel>
	<title>l a i l a </title>
	<link>https://laila.cargo.site</link>
	<description>l a i l a </description>
	<pubDate>Wed, 24 Sep 2025 01:27:31 +0000</pubDate>
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	<item>
		<title>Home</title>
				
		<link>https://laila.cargo.site/Home</link>

		<pubDate>Wed, 24 Sep 2025 01:27:26 +0000</pubDate>

		<dc:creator>l a i l a </dc:creator>

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	<item>
		<title>Print Design</title>
				
		<link>https://laila.cargo.site/Print-Design</link>

		<pubDate>Wed, 24 Sep 2025 01:27:27 +0000</pubDate>

		<dc:creator>l a i l a </dc:creator>

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		<description>
	VISUAL NARRATIVES


I’ve built my career in newsrooms and publications across Southern California, working as an art director and designer for the Orange County Register, Los Angeles Times, San Diego Union-Tribune, Village Voice Media, OC Family, Metromix Los Angeles, and nearly every community newspaper in the region.  
My work has always centered on bringing stories to life visually, whether through bold covers, engaging features, or thoughtful design systems. I’m passionate about conceptualizing how stories can be told across every spectrum, from print pages that readers hold in their hands to digital platforms that reach them wherever they are. 

2025
	&#60;img width="2438" height="3113" width_o="2438" height_o="3113" data-src="https://freight.cargo.site/t/original/i/5f3508e3b6bee00c966f32430a1d9ba139cee6e6c78d4a5a36dd957cce6ce774/001_SDUT_Premium_August2025_NOCROPS.png" data-mid="238584098" border="0"  src="https://freight.cargo.site/w/1000/i/5f3508e3b6bee00c966f32430a1d9ba139cee6e6c78d4a5a36dd957cce6ce774/001_SDUT_Premium_August2025_NOCROPS.png" /&#62;

Art direction and design: 
Laila Derakhshanian

Illustration: Jeffrey Goertzen&#60;img width="2421" height="3101" width_o="2421" height_o="3101" data-src="https://freight.cargo.site/t/original/i/eb9ccfaa7ffa4dd3c135bab0f2749a5b54e3e346e425d2d4d0a1695f5cd302c6/SCNG_PremiumCover_Fall2025.png" data-mid="238584110" border="0"  src="https://freight.cargo.site/w/1000/i/eb9ccfaa7ffa4dd3c135bab0f2749a5b54e3e346e425d2d4d0a1695f5cd302c6/SCNG_PremiumCover_Fall2025.png" /&#62;


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		<title>Product Design</title>
				
		<link>https://laila.cargo.site/Product-Design</link>

		<pubDate>Wed, 24 Sep 2025 01:27:28 +0000</pubDate>

		<dc:creator>l a i l a </dc:creator>

		<guid isPermaLink="true">https://laila.cargo.site/Product-Design</guid>

		<description>
	FORM MEETS FUNCTION


&#60;img width="1200" height="1496" width_o="1200" height_o="1496" data-src="https://freight.cargo.site/t/original/i/f8480af1dabf5f5eeab4dce0a242ca962968afcf1a186c78c9223997f0b8c32d/bl4.jpg" data-mid="238583045" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/f8480af1dabf5f5eeab4dce0a242ca962968afcf1a186c78c9223997f0b8c32d/bl4.jpg" /&#62;
&#60;img width="790" height="1000" width_o="790" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b0039c07c2d54e1060e444bd9aa9e76cdbf9abe268ee98b2bdc338c638379ce8/bl5.jpg" data-mid="238583046" border="0" data-scale="60" src="https://freight.cargo.site/w/790/i/b0039c07c2d54e1060e444bd9aa9e76cdbf9abe268ee98b2bdc338c638379ce8/bl5.jpg" /&#62;

	
&#60;img width="3000" height="3787" width_o="3000" height_o="3787" data-src="https://freight.cargo.site/t/original/i/e227024a1cbc96e4362df323c6f893cf72f0dca4fe00412db80cc14a3439fe20/c2.jpg" data-mid="238583041" border="0"  src="https://freight.cargo.site/w/1000/i/e227024a1cbc96e4362df323c6f893cf72f0dca4fe00412db80cc14a3439fe20/c2.jpg" /&#62;


Horace Kallen

Suppose you take the world as it comes. Suppose you take the world at its face value. Then reality is what you know it as. You find the substantive parts of it connected by relations as truly present and as existent as the parts themselves. 

You find transition and change, continuity and discontinuity, routine and surprise, multiple unities of manifold kinds, realities of various stuffs and powers —&#38;nbsp;all connected with one another by transitions from next to next, each standing away, alone, unmitigated, unincludable, now from some things, now from others.

You find movement. You find beginnings, you find endings, you find continuity and you find transformation. In a word, the world of the daily life which we touch and see and hear and smell and taste, which we struggle against and work together with, need be none other than we experience it to be.


&#60;img width="550" height="870" width_o="550" height_o="870" data-src="https://freight.cargo.site/t/original/i/005a918dc7fe52dab5753b86bff3bc2c8042d18ca481f15d663a459d032dee47/doorofperception.com-karl_blossfeldt-18.jpg" data-mid="238583050" border="0"  src="https://freight.cargo.site/w/550/i/005a918dc7fe52dab5753b86bff3bc2c8042d18ca481f15d663a459d032dee47/doorofperception.com-karl_blossfeldt-18.jpg" /&#62;
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&#60;img width="1200" height="1647" width_o="1200" height_o="1647" data-src="https://freight.cargo.site/t/original/i/481d6ed3bf78e1413bd597a4c7ab7e7b0ed48940074daf1866dbd9526eabaeec/doorofperception.com-karl_blossfeldt-34.jpg" data-mid="238583053" border="0"  src="https://freight.cargo.site/w/1000/i/481d6ed3bf78e1413bd597a4c7ab7e7b0ed48940074daf1866dbd9526eabaeec/doorofperception.com-karl_blossfeldt-34.jpg" /&#62;
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&#60;img width="790" height="1000" width_o="790" height_o="1000" data-src="https://freight.cargo.site/t/original/i/1a33850828565554e24f032bd71d2f96971e28d82e87084ce006d4fe3df0b581/doorofperception.com-karl_blossfeldt-11.jpg" data-mid="238583048" border="0"  src="https://freight.cargo.site/w/790/i/1a33850828565554e24f032bd71d2f96971e28d82e87084ce006d4fe3df0b581/doorofperception.com-karl_blossfeldt-11.jpg" /&#62;
&#60;img width="902" height="1143" width_o="902" height_o="1143" data-src="https://freight.cargo.site/t/original/i/46ea1d6fa9a638fcb08276c3c1a655f06335d82e37574e463754f3d54e0f0f0e/doorofperception.com-karl_blossfeldt-8.jpg" data-mid="238583047" border="0"  src="https://freight.cargo.site/w/902/i/46ea1d6fa9a638fcb08276c3c1a655f06335d82e37574e463754f3d54e0f0f0e/doorofperception.com-karl_blossfeldt-8.jpg" /&#62;


Karl Blossfeldt — Urformen Der Kunst</description>
		
	</item>
		
		
	<item>
		<title>Photography</title>
				
		<link>https://laila.cargo.site/Photography</link>

		<pubDate>Wed, 24 Sep 2025 01:27:30 +0000</pubDate>

		<dc:creator>l a i l a </dc:creator>

		<guid isPermaLink="true">https://laila.cargo.site/Photography</guid>

		<description>Art, journalism and personal storytelling

VISUAL NARRATIVES


	&#60;img width="1228" height="1115" width_o="1228" height_o="1115" data-src="https://freight.cargo.site/t/original/i/812bd4410de2a9d44f33b5cc7f6ba2a93969ef915acde94875291067d46ba034/OBS-Art-Graphic-GGXG123213.jpg" data-mid="238583058" border="0"  src="https://freight.cargo.site/w/1000/i/812bd4410de2a9d44f33b5cc7f6ba2a93969ef915acde94875291067d46ba034/OBS-Art-Graphic-GGXG123213.jpg" /&#62;
Zephyr INS 61975–6

	&#60;img width="1228" height="1115" width_o="1228" height_o="1115" data-src="https://freight.cargo.site/t/original/i/104920e732507b46e2849143273154336b6bb36f8d1e70e189823026c1210794/c.jpg" data-mid="238583059" border="0"  src="https://freight.cargo.site/w/1000/i/104920e732507b46e2849143273154336b6bb36f8d1e70e189823026c1210794/c.jpg" /&#62;
Shepherd Lad KY 2161975–6


Franz Brentano

Documenting life, people, and events


William Carlos Williams

This is the trap — either what we seek is within the bounds of the understanding or beyond it. If outside it does not exist for us, much less for our imagination; if inside it is bounded by that and must be so deﬁned before it can be conceived — this precedes all further progress.

 
The Embodiment of Knowledge
 
	&#60;img width="1179" height="1536" width_o="1179" height_o="1536" data-src="https://freight.cargo.site/t/original/i/17029b49433a74689e694af3b7f0544cc9738d702668764339957a0741d0278b/P77477_10.jpg" data-mid="238583060" border="0"  src="https://freight.cargo.site/w/1000/i/17029b49433a74689e694af3b7f0544cc9738d702668764339957a0741d0278b/P77477_10.jpg" /&#62;
Laconic,&#38;nbsp;1987


&#60;img width="1474" height="1042" width_o="1474" height_o="1042" data-src="https://freight.cargo.site/t/original/i/e967802649c2330d5cd8a7c3c6c35ac393508d03c8505ca1e78c95acd3e80de0/TGA-20012-45-1_10.jpg" data-mid="238583061" border="0"  src="https://freight.cargo.site/w/1000/i/e967802649c2330d5cd8a7c3c6c35ac393508d03c8505ca1e78c95acd3e80de0/TGA-20012-45-1_10.jpg" /&#62;
	&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/1e74b4dcdf08e897012a19c83767a2085562f72659c9a862b63943f59c266265/IMG_0014.jpg" data-mid="238590305" border="0"  src="https://freight.cargo.site/w/800/i/1e74b4dcdf08e897012a19c83767a2085562f72659c9a862b63943f59c266265/IMG_0014.jpg" /&#62;
	&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/993406e05518ce8e13f60921db4915ef4163f0f774d1db88b10d7e22537051f0/IMG_0073.jpg" data-mid="238590306" border="0"  src="https://freight.cargo.site/w/800/i/993406e05518ce8e13f60921db4915ef4163f0f774d1db88b10d7e22537051f0/IMG_0073.jpg" /&#62;

Velvet, Santa Ana: Drag in full color.


	&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/55e8cc68ec0b9f99121e1704a9fdea7e4fe42749bbabdc4098530ae10472c0bf/630B0031_LAILA_8.jpg" data-mid="238590296" border="0"  src="https://freight.cargo.site/w/1000/i/55e8cc68ec0b9f99121e1704a9fdea7e4fe42749bbabdc4098530ae10472c0bf/630B0031_LAILA_8.jpg" /&#62;
Beneath the surface

	&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f30cef495b2dfeb7f02369e2842bf1a0b68a25f01f98c6256458d785e7034eef/630B0044_LAILA_8.jpg" data-mid="238590297" border="0"  src="https://freight.cargo.site/w/1000/i/f30cef495b2dfeb7f02369e2842bf1a0b68a25f01f98c6256458d785e7034eef/630B0044_LAILA_8.jpg" /&#62;
Suspended and weightless


	︎
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

Wallace Stevens
Thirteen Ways of Looking at a Blackbird
	
</description>
		
	</item>
		
		
	<item>
		<title>Illustration</title>
				
		<link>https://laila.cargo.site/Illustration</link>

		<pubDate>Wed, 24 Sep 2025 01:27:31 +0000</pubDate>

		<dc:creator>l a i l a </dc:creator>

		<guid isPermaLink="true">https://laila.cargo.site/Illustration</guid>

		<description>
	
	IN THELABYRINTH


The four hands are lying in a row, motionless.

 The space between A…’s left hand and Franck’s right hand is approximately two inches. The shrill cry of some nocturnal carnivore, sharp and short, echoes again toward the bottom of the valley, at an unspecified distance. 
	

	︎︎
	A… has gone to get the glasses, the soda water, and the cognac herself. She sets a tray with the two bottles and three big glasses down on the table. Having uncorked the cognac she turns toward Franck and looks at him, while she begins making his drink.


	&#60;img width="2292" height="3000" width_o="2292" height_o="3000" data-src="https://freight.cargo.site/t/original/i/08a6a8461ee234c62e54c73ff96982d8f4a29ce8d35fe106950870834f27e711/4.jpg" data-mid="238583065" border="0"  src="https://freight.cargo.site/w/1000/i/08a6a8461ee234c62e54c73ff96982d8f4a29ce8d35fe106950870834f27e711/4.jpg" /&#62;
	&#60;img width="790" height="1000" width_o="790" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b0039c07c2d54e1060e444bd9aa9e76cdbf9abe268ee98b2bdc338c638379ce8/bl5.jpg" data-mid="238583069" border="0"  src="https://freight.cargo.site/w/790/i/b0039c07c2d54e1060e444bd9aa9e76cdbf9abe268ee98b2bdc338c638379ce8/bl5.jpg" /&#62;
	&#60;img width="2290" height="3000" width_o="2290" height_o="3000" data-src="https://freight.cargo.site/t/original/i/bdf9f255b1611a4e981c947eb7ee114ce8fc81177d2b4b673a462285ebeeae0f/5.jpg" data-mid="238583066" border="0"  src="https://freight.cargo.site/w/1000/i/bdf9f255b1611a4e981c947eb7ee114ce8fc81177d2b4b673a462285ebeeae0f/5.jpg" /&#62;


	Now the shadow of the column — the column which supports the southwest corner of the roof — divides the corresponding corner of the veranda into two equal parts. This veranda is a wide, covered gallery surrounding the house on three sides. Since its width is the same for the central portion as for the sides, the line of shadow cast by the column extends precisely to the corner of the house; but it stops there, for only the veranda flagstones are reached by the sun, which is still too high in the sky.
	The wooden walls of the house — that is, its front and west gable-end — are still protected from the sun by the roof (common to the house proper and the terrace). So at this moment the shadow of the outer edge of the roof coincides exactly with the right angle formed by the terrace and the two vertical surfaces of the corner of the house.

Now A... has come into the bedroom by the inside door opening onto the central hallway. She does not look at the wide open window through which — from the door — &#38;nbsp;she would see this corner of the terrace.

	Now she has turned back toward the door to close it behind her. She still has on the light-colored, close-fitting dress with the high collar that she was wearing at lunch when Christiane reminded her again that loose-fitting clothes make the heat easier to bear. But A... merely smiled: she never suffered from the heat, she had known much worse climates than this — in Africa, for instance — and had always felt fine there. Besides, she doesn’t feel the cold either. Wherever she is, she keeps quite comfortable.&#38;nbsp;


	&#60;img width="1407" height="1927" width_o="1407" height_o="1927" data-src="https://freight.cargo.site/t/original/i/3ddb14931a69ac5dc7fbce2523f83dc2f1003ac6e526efb6188f231fec303a84/1.jpg" data-mid="238583064" border="0"  src="https://freight.cargo.site/w/1000/i/3ddb14931a69ac5dc7fbce2523f83dc2f1003ac6e526efb6188f231fec303a84/1.jpg" /&#62;

Bernd and Hilla Becher

	&#60;img width="736" height="1008" width_o="736" height_o="1008" data-src="https://freight.cargo.site/t/original/i/a7e05c1870e780d32c7a5e2aa046ee992a327333b4d0ce99ee98dd6447b05652/c.jpg" data-mid="238583070" border="0"  src="https://freight.cargo.site/w/736/i/a7e05c1870e780d32c7a5e2aa046ee992a327333b4d0ce99ee98dd6447b05652/c.jpg" /&#62;

Karl Blossfeldt&#38;nbsp;
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	<item>
		<title>Mobile header</title>
				
		<link>https://laila.cargo.site/Mobile-header</link>

		<pubDate>Wed, 24 Sep 2025 01:13:47 +0000</pubDate>

		<dc:creator>l a i l a </dc:creator>

		<guid isPermaLink="true">https://laila.cargo.site/Mobile-header</guid>

		<description>Lorem Ipsum
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